Hiding in Plain Sight: Zanzibar’s Most Famous Shoga 

Farrokh Balsara was born in Zanzibar’s Government Hospital on September 5, 1946 to Parsee parents, followers of Zoroastrianism. Farrokh’s father, Bomi Bulsara, came from Bulsar in Gujurat – hence the family name – and moved to Zanzibar to work in the High Court as a cashier for the British government.


Farrokh’s first years of schooling were at the Zanzibar Missionary School, where he was taught by Anglican nuns. At the age of eight, his parents sent him to a Church of England school in India. When he was almost done with his secondary school and completing his final year back in Zanzibar, the 1964 revolution overthrew the ruling elite, and the Bulsaras permanently relocated to Middlesex, England. By this time Farrokh was calling himself “Freddie” and took on the name “Mercury” in 1971, one year after forming Queen.


Queen went on to one of the biggest careers in rock music: 18 number-one albums, 18 number-one singles, 10 number-one DVDs, over 170 million records sold. Freddie Mercury wrote Queen’s most famous single, “Bohemian Rhapsody,” and was the most flamboyant of the band members, but in the era of glam rock and heavy metal, Freddie’s style didn’t necessarily peg him as gay.


Freddie’s deepest emotional relationship was with Mary Austin to whom he was engaged until he confessed to her that he was bisexual. They remained best friends. During the 80s, Freddie delved deeper and deeper into the gay life of London and New York, eventually modeling his look after the “Castro Clone” – tight clothes over a worked-out body, short hair, prominent moustache. It was an odd game of hiding in plain sight. Everybody in Freddie’s inner circle knew about his sexual orientation but he stayed silent on the subject for the rest of his life. Of course coming out in the 80s would have negatively affected his career and possibly the trajectory of the band as well.


During the 80s, AIDS was spreading throughout that community. After displaying some signs of illness, his own HIV infection was confirmed by the late '80s. Even after developing AIDS, he denied reports about his illness and being gay. He was more upfront with his bandmates, but never told his family why he was ill .It wasn't until November 23, 1991, that he issued a statement that said in part: "Following enormous conjecture in the press, I wish to confirm that I have been tested HIV-positive and have AIDS. I felt it correct to keep this information private in order to protect the privacy of those around me." He died the next day.


Freddie’s connection to Zanzibar is relatively slender, but Stone Town houses a small Freddie Mercury museum placing the first eight years of his life in socio-historical context and goosing up quotes from childhood friends and family that were curated after his death.


As you might imagine in this conservative Muslim society, no mention is made of Mercury’s sex life or the fact that he died of AIDS at the age of 45. I asked a few Zanzibaris with whom I felt comfortable if they knew that Mercury was a shoga, and their response was a wry acknowledgment that of course, everybody knew! You just didn’t talk about it in polite society

Recent Posts

richard barthe is standing next to a statue of a man
By Dr. Robert Philipson 01 May, 2024
Of the many visual artists born at the turn of the last century who came of age during the Harlem Renaissance, only one has been pegged (no pun intended!) as unambiguously gay -- Richmond Barthé. Perhaps because of this odd underrepresentation (I mean, isn't any boy who dabbles in the arts under suspicion?), the visual arts haven't figured much, or at all, in any inventory of the Queer Harlem Renaissance. (Not that there's been such an inventory, but rest assured, it's coming!)
A black and white photo of a man speaking into a microphone
By Dr. Robert Philipson 03 Apr, 2024
We want poems like fists beating niggers out of Jocks or dagger poems in the slimy bellies of the owner-jews. These lines, published in a much-anthologized poem written in 1966, spurted from the pen of the most influential and widely known Black writer/poet in America, Amiri Baraka. The poem, “Black Art,” advocated a poetry of violence and revenge: “Poems that wrestle cops into alleys/and take their weapons/ leaving them dead/with tongues pulled out and sent to Ireland.” Other enemies of Black liberation get their meed of bile, but Jews are called out three times, including the invocation of “Another bad poem cracking/steel knuckles in a jewlady's mouth.”
two women are hugging each other in a black and white photo .
By Dr. Robert Philipson 06 Mar, 2024
In 1950, the superstar singer and actor Ethel Waters checked off another box in her list of African American firsts when she starred in a weekly television series, Beulah. As the name indicates, Beulah was a maid whose raison d'être was to serve her white employers, "Mr. and Mrs. Henderson," and act as a nanny to their son, "Donnie." Although Waters brought as much warmth and humor as she could to the stereotype, the other Black characters portrayed were even flatter and more offensive: "Bill," the unemployed beau who is a braggart and a screw-up; and "Oriole," a ditzy maid (played by Butterfly McQueen, no less!) who works for the family next door.
a man and a woman are sitting next to each other in a black and white photo .
By Dr. Robert Philipson 13 Feb, 2024
In 1931, James P. Johnson wrote and recorded a song, "Go Harlem," extolling the extraordinary life of New York's Black Mecca. Among the lyrics: "Like Van Vechten/Start inspection'./Go Harlem!/Go Harlem!/Go Harlem/ Startin' right now." Carl Van Vechten, a white writer, music critic, journalist, photographer, and tastemaker, was such an integral part of the Harlem Renaissance that within the artistic and intellectual circles of the movement he needed no introduction. Hence, the lyric penned by the incomparable Andy Razaf.
Share by: